For over 25 years, Australian artist Patricia Piccinini (born 1965) has been dedicated to exploring empathy and care for the 'Other' in her artwork. Her extensive body of work reflects themes of harmony, understanding, and respectful coexistence. Piccinini, deeply influenced by Flemish primitives such as Hans Memling, Jan van Eyck, and Hugo van der Goes, masters of realism, meticulously crafts hyper-realistic sculptures with a keen attention to detail, bringing her characters to life.

In 2023, for the Museum Sint-Janshospitaal, Piccinini created 'The Bridge,' a life-size sculpture that serves as a seated tableau. This artwork features a female character providing comfort to a hybrid creature with both animal and human attributes. Through the warmth of a natural-looking embrace, Piccinini skillfully evokes empathy for the creature, challenging viewers to overcome feelings of disgust and connect with the being that is out of sorts. The work is made of silicone, fiberglass, hair and textiles.

'The Bridge' directly engages with the painting of the 'Good Samaritan' housed in the museum, drawing parallels to the theme of the Pieta, where Mary expresses compassion for the deceased Christ. Piccinini's work prompts reflection on essential social and ethical issues surrounding care and respect for others. The sculpture is a positive and hopeful exploration, symbolizing the coming together of disparate figures to affirm their connection despite differences, honoring the values of care and empathy for all. Piccinini's contribution to contemporary sculpture solidifies her standing as one of the foremost hyper-realists globally.